The Callboard:
The Callboard:
The online home of the men and women of the Department of Theatre
and The Clarence Brown Theatre at the University of Tennessee
A Flea in Her Ear
Performed by the Clarence Brown Company
Written by: Georges Feydeau
Director: Cal MacLean
Stage Manager: Joe Millett
Set Designer: Ron Keller
Costume Designer: Marianne Custer
Lighting Designer: TBA
Sound Designer: Mike Ponder
Performed in the Clarence Brown Theatre
April 12 -29, 2007
On-Sale Dates:
Subscribers: Friday, Mar 23
Single Tickets: Friday, Mar 30
Important Production Dates:
First Concept Meeting: Nov 13
Second Concept Meeting: Dec 11
Auditions in Carousel: Jan 13
Set & Costume Design: Jan 22
Cast List Complete: Jan 22
Model and Paint Elevations Due: Feb 5
Plans to Scene Shop: Feb 12
Begin Set Build: Feb 19
Begin Costume Build: Feb 26
Light Design: Mar 5
1st Day - Scenic Charge: Mar 5
1st Day - Scenic Artist Assistant: Mar 12
Rehearsal Begin (Meet 'n' Greet: Mar 19
Load-in Begins: Mar 29
Props Cut-off: Mar 30
Designer Run-through: Mar 31
Props Parade: Apr 3
Crew Watch: Apr 4
Tech: Apr 5-7
1st Dress: Apr 7
2nd Dress: Apr 9
3rd Dress: Apr 10
Final Dress (Archive Photos): Apr 11
Strike: Apr 30-May 1
A Flea in Her Ear
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Apr 12


Preview
B80712APRE 8 pm |
Apr 13


Opening
BG0713APRE 8 pm |
Apr 14


1st Sat
B80714APRE 8 pm |
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Apr 17


Tuesday
B80717APRE 8 pm |
Apr 18


1st Wed
B80718APRE 8 pm
Talk Back |
Apr 19


1st Thurs
B80719APRE 8 pm
Interpreted |
Apr 20


1st Fri
B80720APRE 8 pm |
Apr 21


2nd Sat
B80721APRE 8 pm |
Apr 22


1st Sun Mat
B80722APRM 2 pm |
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Apr 25


2nd Wed
B80725APRE 8 pm |
Apr 26


2nd Thurs
B80726APRE 8 pm |
Apr 27


2nd Fri
B80727APRE 8 pm |
Apr 28


3rd Sat
B80728APRE 8 pm |
Apr 29


2nd Sun Mat
B80729APRM 2 pm |
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To test her husband's fidelity, Raymonde has her best friend, Lucienne, write an
anonymous letter suggesting a rendezvous at a disreputable hotel. The plan
is thrown into chaos when Lucienne's husband intercepts the letter. The
Clarence Brown Professional Company runs amok with imagined infidelities and
mistaken identities in this greatest of French farces.